Edition 5 | Eurovisions

2022 | Edition 5

With academic presentations, book presentation, professional expertise roundtables and keynote speaker

10 - 11 May 2022
Universitá degli studi di Torino (Italy)

SCIENTIFIC COMMITTEE

Carla Figueira (ICCE, Goldsmiths, University of London, UK)

Irving Wolther (Fachhochschule des Mittelstands Hannover, Germany)

Isabel Campêlo (INET-md, FCSH | NOVA University of Lisbon, Portugal)

Jacopo Tomatis (Dipartimento di Studi Umanistici | Università degli Studi di Torino, Italy)

João Soeiro de Carvalho (INET-md, FCSH | NOVA University of Lisbon, Portugal)

Maria de São José Côrte-Real (INET-md, FCSH | NOVA University of Lisbon, Portugal)

Salwa Castelo-Branco (INET-md, FCSH | NOVA University of Lisbon, Portugal)

Sofia Vieira Lopes (INET-md, FCSH | NOVA University of Lisbon, Portugal)

ORGANIZING COMMITTEE

Carla Figueira (ICCE, Goldsmiths, University of London, UK)

Gonçalo Antunes de Oliveira (INET-md, FCSH | NOVA University of Lisbon, Portugal)

Irving Wolther (Fachhochschule des Mittelstands Hannover, Germany)

Isabel Campêlo (INET-md, FCSH | NOVA University of Lisbon, Portugal)

Sofia Vieira Lopes (INET-md, FCSH | NOVA University of Lisbon, Portugal)

Jacopo Tomatis (Dipartimento di Studi Umanistici | Università degli Studi di Torino, Italy)

Giulia Muggeo (Università degli Studi di Torino, Italy)

Biarne Betz (Fachhochschule des Mittelstands Hannover, Germany)

Sandra Sophie Großmann (Fachhochschule des Mittelstands Hannover, Germany)

Ceren Önder (Fachhochschule des Mittelstands Hannover, Germany)

Lea Maria Werner (Fachhochschule des Mittelstands Hannover, Germany)

Jérôme Zahn (Fachhochschule des Mittelstands Hannover, Germany)

Edition 5

About

“Adding value: Music & Public Television”

Since the beginning of television broadcasting, music has occupied an important place n TV scheduling. From live performances to videoclips, music content is one of the most efficient audience aggregators. In Europe, public television broadcasting has been used to develop a shared European identity and the Eurovision Song Contest is the best example of how music can create a sense of inclusion and belonging.

This fifth edition of the EUROVISIONS International Conference wants to bring to the centre of the discussion the added value of music in the setting of public television broadcasting. At a time when the Eurovision brand is extending to the American continent, which is predominantly covered by private broadcasters, EUROVISIONS wants to highlight the challenges that public service faces and the way in which music can be a content capable of aggregating vast and heterogeneous audiences.